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Kiyoshi Kurosawa is coming off a rough patch after controversies around SWEET HOME in 1989 and the financial failure of THE GUARD FROM UNDERGROUND in 1992, but after retreating into television work he’s about to be given a new lifeline in the 90s: V-CINEMA! This straight-to-VHS trend focusing on genre fare ended up being a training ground for a number of favorite directors and Kurosawa dives right in, first with the extremely silly (but quite fun) crime-comedy YAKUZA TAXI, and continuing with the cycling drama (adapted from a Yasuhito Yamamoto manga) MEN OF RAGE. On this episode of SERPENT’S PATH we look at everything Kurosawa was up to, how he ended up on these two films, and detail some of our own frustrations watching them. ENJOY!

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Check out the Serpent’s Path archive right here.

After a bumpy and controversial start to his career, that bumpiness would continue for Kiyoshi Kurosawa with 1989’s SWEET HOME, a unique videogame/film collaboration that is colorful, entertaining and full of goopy FX by the legendary Dick Smith, but after a post-theatrical re-edit things would go sour between Kurosawa and producer Juzo Itami. It would be a few more years before Kurosawa would direct another feature, returning with the slasher-y office thriller THE GUARD FROM UNDERGROUND which has a number of hints at what would become his trademark style. Let’s check it out!

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Check out the Serpent’s Path archive right here.

It’s the PREMIERE episode of our new limited series SERPENT’S PATH: THE FILMS OF KIYOSHI KUROSAWA and on this episode we discuss why we chose the filmmaker as our subject, our (limited) experience with his work, a bit about his background and dive into his first two features: 1983’s KANDAGAWA PERVERT WARS and 1985’s BUMPKIN SOUP (aka THE EXCITEMENT OF THE DO-RE-MI-FA GIRL). Both films have a unique mix of eroticism and surrealism, and are a world away from the films we most closely associated with Kurosawa. Enjoy!