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After starting his V-Cinema adventure with MEN OF RAGE and YAKUZA TAXI (both covered on our last episode) Kiyoshi Kurosawa began his most ambitious project yet: a series of SIX films featuring two bumbling, but loveable, gangsters played by Shô Aikawa and Kôyô Maeda who continually find themselves in unlikely, comical scenarios (with – naturally – bursts of sex and violence). Kurosawa would shoot two of the films at a time, and on this episode of Serpent’s Path we’re checking out the first two entries. In 1995’s Suit Yourself or Shoot Yourself: The Heist our pair end up falling for the same woman, only to be forced to help her raise money for a sick relative once she gets involved with (wait for it!) the yakuza. Then, in Suit Yourself or Shoot Yourself: The Escape (also from 1995) the two are hired by a Yakuza boss to spy on his daughter and her boyfriend, only for them to get wrapped up in a tale of love, betrayal and AUSTRALIA. All that and plenty of context, so ENJOY!

Our major sources for this episode are:

This Tom Mes interview with Kurosawa from Midnight Eye:

http://www.midnighteye.com/interviews/kiyoshi-kurosawa-3/#:~:text=It%20was%20based%20on%20a,I%20actually%20made%20this%20film.

A French interview with Kurosawa covering his early career

http://eigagogo.free.fr/en/interview-kiyoshi-kurosawa.php

RSS/iTunes/Spotify

Check out the Serpent’s Path archive right here.

Kiyoshi Kurosawa is coming off a rough patch after controversies around SWEET HOME in 1989 and the financial failure of THE GUARD FROM UNDERGROUND in 1992, but after retreating into television work he’s about to be given a new lifeline in the 90s: V-CINEMA! This straight-to-VHS trend focusing on genre fare ended up being a training ground for a number of favorite directors and Kurosawa dives right in, first with the extremely silly (but quite fun) crime-comedy YAKUZA TAXI, and continuing with the cycling drama (adapted from a Yasuhito Yamamoto manga) MEN OF RAGE. On this episode of SERPENT’S PATH we look at everything Kurosawa was up to, how he ended up on these two films, and detail some of our own frustrations watching them. ENJOY!