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On a pulse pounding returning WILD IN THE STREETS Fabio Testi is trying to take down the protection racket in Rome but is up to his elbows in red tape, but after one incident too many he’s fired and has to assemble a crack squad of cons to take down the baddies in Enzo G. Castellari’s action packed THE BIG RACKET from 1976. Full of wild set pieces and some particularly nasty moments, it’s an over-the-top romp with a final bloody action sequence inspired by The Wild Bunch! But how do our oh-too-sensitive hosts deal with all this? Let’s find out!

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Check out the full Bartel Me Something Good archive right here

On this free-wheeling episode of BARTEL ME SOMETHING GOOD we’re doubling up with two films featuring notable Paul Bartel ACTING performances. Uh.. kinda. We start with the cult-classic killer robots in a mall horror film CHOPPING MALL, directed by Jim Wynorski. With an all-star cast including Kelli Maroney, Barbara Crampton, DICK MILLER, Gerrit Graham, Mel Welles, Angus Scrimm and – of course – Paul Bartel and Mary Woronov, reprising their roles from EATING RAOUL! Then we put on our deerstalker hats and pull out our magnifying glasses as we solve the mystery of WHERE IS PAUL BARTEL (as “Twister Master”) IN GREGG ARAKI’S THE LIVING END?! The record will be changed PERMANANTLY as we discuss Araki’s transgressive 1992 road comedy-drama ALSO featuring an appearance by Mary Woronov. Have a listen, friends!

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Check out all the episodes of CINEMA SMORGASBORD SELLS OUT right here.

WHAT’S THE BUZZ?! TELL ME WHAT’S A-HAPPENIN! On this episode we’re SELLING OUT FOR THE LORD as we tackle Norman Jewison’s adaptation of the Andrew Lloyd Webber/Tim Rice rock opera JESUS CHRIST SUPERSTAR featuring (wussy) Ted Neeley as Jesus and (bad-ass) Carl Anderson as Judas. Doug asks Liam all sorts of uncomfortable religious questions. Y’know, for fun! We’ll talk the history, the performances, the accusations of anti-semitism, all that stuff! Also, what is the DEAL with this Jesus guy? Listen and find out!

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Check out the full Wild in the Streets archive right here

Three well-to-do young men go on a crime and killing spree for KICKS while Tomas Milian is.. uh.. kinda on their trail in Romolo Guerrieri’s YOUNG, VIOLENT, DANGEROUS from 1976! Milian is sort of wasted, but the trio are a hoot (and there’s plenty of homoerotic under(?)current as well, because of course there is! There’s blood, murder, and a tremendous car chase. Who could ask for anything more? We also discuss our favorite trios for some reason. ENJOY!

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Check out the full Wild in the Streets archive right here

What if you witnessed a murder but the ACTUAL murderer goes to the cops first and accused YOU of being the killer? UH OH! That’s what happens to Enzo Cerusico’s hapless Fabio Santamaria in 1973’s comically titled NO, THE CASE IS HAPPILY RESOLVED where Fabio’s attempts to not get involved in the criminal justice system lands him in a heap of trouble, while the actual murderer (a school professor played by Riccardo Cucciolla) is treated like a hero by the cops. It’s a dire look at class differences, the criminal justice system and making a lot of BAD decisions when you think someone is looking for you. At least, until a terrible, tacked-on ending (which we discuss!). CHECK IT OUT!

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Check out the full Wild in the Streets archive right here

We’re getting WILD IN THE STREETS with Henry Silva (/w some other guy’s voice) in Mario Caiano’s WEAPONS OF DEATH from 1977. Trying desperately to seem like a sequel to the previous year’s VIOLENT NAPLES, this one has Leonard Mann as Commissioner Belli, a cop on the edge trying to track down rogue mob boss Santoro (Henry Silva) while also helping out a precocious/annoying kid named Gennarino. Thankfully this one has a trick up its sleeve: EXTREME VIOLENCE (thanks to Fulci makeup favorite Gino De Rossi), and a few solid action scenes (car chases! Pool hall fights! Piano wire decapitation!) to keep things moving. It’s not bad, but is it.. good? Listen and find out!

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Check out the Serpent’s Path archive right here.

After a bumpy and controversial start to his career, that bumpiness would continue for Kiyoshi Kurosawa with 1989’s SWEET HOME, a unique videogame/film collaboration that is colorful, entertaining and full of goopy FX by the legendary Dick Smith, but after a post-theatrical re-edit things would go sour between Kurosawa and producer Juzo Itami. It would be a few more years before Kurosawa would direct another feature, returning with the slasher-y office thriller THE GUARD FROM UNDERGROUND which has a number of hints at what would become his trademark style. Let’s check it out!

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You can listen to the entire JodoWOWsky archive right here: https://www.cinemasmorgasbord.com/the-podcasts/jodowowsky/ 

We’re lost in the stacks in this long-awaited episode of JodoWOWsky, not only covering half a year of Alejandro Jodorowsky news but tackling two of his most beloved – and complex – comics works, starting with his masterwork collaboration with the legendary Georges Bess THE WHITE LAMA and finishing with the lush, grotesque historical narrative THE BORGIAS, created with the equally legendary Milo Manara. There’s plenty of wild, obscene, confusing and bizarre material to chat about, so let’s get started!

Sources mentioned on this episode:

Metal Hurlant Unveils New English-Language Edition on 50th Anniversary as Denis Villeneuve Calls French Sci-Fi Comic Anthology the Source of His ‘Earliest Visual Inspirations’ (EXCLUSIVE) https://variety.com/2025/film/global/metal-hurlant-english-language-anthology-denis-villeneuve-1236424480/

An image from Alejandro Jodorowsky’s Instagram detailing the recent visit by artist Zoran Janjetov: https://www.instagram.com/pascale_montandonjodorowsky/p/DHN3568sJzy/

Interview with Georges Bess from 2006:

https://www.actuabd.com/Georges-Bess-Pema-Ling-sera-une-parabole-du-probleme-tibetain

2008 Interview with Alexandro Jodorowsky

https://chroniquesdasteline.blogspot.com/2008/06/interview-dalejandro-jodorowsky-partie.html 

Julia Marchese is a filmmaker, actor, writer, film programmer and podcaster. Julia’s first film was Out of Print, a documentary about the importance of revival cinema and 35mm to culture. The film has played all over the world in film archives, art house cinemas and universities. The 35mm print of the film is now housed at The Academy Film Archives. Her next project is a short film adaptation of Stephen King’s short story “I Know What You Need”. She is the co-host of Horror Movie Survival Guide, a weekly podcast that takes a deep dive into a different horror film each week, focusing on how to become the final girl. You can follow her on her social media platforms

Check out “I Know What You Need” on the Arrow player right here.

Check out the George A Romero Foundation’s recently announced HORROR X @GARFHorrorX on Twitter

juliamarchese.com

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Find the entire George Kennedy is my Copilot archive right here

George Kennedy wrote a book! In fact, George Kennedy wrote THREE books, with two being mystery novels featuring him playing himself and on THIS episode of GEORGE KENNEDY IS MY COPILOT we’re talking about the first half of 1983’s MURDER ON LOCATION featuring intrigue, suspense and lots of dialogue about BOOBS. Then we’re going long on Robert Aldrich’s classic 1968 men-on-a-mission WWII classic THE DIRTY DOZEN featuring Lee Marvin, Ernest Borgnine and a dozen convicted criminals sent on a suicide mission. Filled with tough guy character actors and lots of bros being bros. Any good? LET’S FIND OUT.

Check out Sarah’s White Slaves of Chinatown YouTube channel at https://bsky.app/profile/wsoc.bsky.social

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Check out the full Wild in the Streets archive right here

One a very special REMOTE episode of WILD IN THE STREETS, Doug calls in from Newfoundland to discuss the mixed up crime comedy MEAN FRANK AND CRAZY TONY from 1973. Featuring Lee Van Cleef as a tight-lipped mobster and Tony Lo Bianco as the wannabe wise-guy who worships him, the two get into all sorts of trouble, including an impressive car chase (“Mon dieu!”), a factory shootout and more power drill mayhem than you can throw an apple core at. There’s plenty of action, Edwige Fenech and Jean Rochefort pop up in supporting roles, and you even get a horn-heavy score from Riz Ortolani. What’s not to love? Listen and find out!

Watch MEAN FRANK AND CRAZY TONY right here: