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Despite his increasing success with comics, Jodorowsky was still reeling from the failure of his Dune project when he decided to adapt Reginald Campbell’s “Poo Lorn of the Elephants” into the disastrous 1980 film TUSK. Disowned by the director (“Don’t see Tusk. I bury the film.”) and nearly impossible to track down in a watchable form, the movie remains an enigma in Alejandro Jodorowsky’s career. On this episode of JodoWOWsky, we look at how TUSK came about, whether it’s the disaster so often reported, whether a better film might be hiding inside the original elements, and how the heck the whole thing fell apart. CHECK IT OUT!

On this episode we referenced this wonderful article – one of the most detailed out there – about the messy history and legacy of Tusk.

If you want to read Poo Lorn of the Elephants, it can be found on archive.org right here.

Your hosts are Cinema Smorgasbord regulars Doug Tilley (@Doug_Tilley) and Liam O’Donnell (@LiamRulz), but they are joined on this adventure by the always wonderful and incisive Julia Marchese!

Julia is a filmmaker, actor, writer, film programmer and podcaster. Julia’s first film was Out of Print, a documentary about the importance of revival cinema and 35mm to culture. The film has played all over the world in film archives, art house cinemas and universities. The 35mm print of the film is now housed at The Academy Film Archives. Her next project is a short film adaptation of Stephen King’s short story “I Know What You Need”. She is the co-host of Horror Movie Survival Guide, a weekly podcast that takes a deep dive into a different horror film each week, focusing on how to become the final girl. You can follow her on her social media platforms

juliamarchese.com

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On this pulse pounding episode of George Kennedy is my Copilot we’re looking at the techno-thriller/Death Wish knockoff THE HUMAN FACTOR from 1975 featuring George Kennedy mowing down the left-wing terrorists who murdered his family. With a score by Ennio Morricone, a supermarket massacre, some top-notch wailing from GK and – of course – Shakidu, the movie really does have it all. But is it any good? Let’s find out!

Check out Sarah Jane on Twitter @FookThis, as well as the White Slaves of Chinatown YouTube page. And check out her writing over at the Austin Chronicle right here.

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We’re getting WILD IN THE STREETS with Lucio Fulci’s sole eurocrime effort CONTRABAND from 1980, featuring Fabio Testi as a boat smuggler who finds himself at the mercy of Marcel Bozzuffi’s Il Marsigliese with – SURPRISE – violent consequences! Featuring plenty of trademark gore, particularly in the blood-soaked climax, as well as a funky Fabio Frizzi score and Sergio Salvati photography, it’s a Fulci film through-and-through.. for better or for worse. CHECK IT OUT!

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On the latest episode of WHATEVER HAPPENED TO VIC DIAZ? we’re going BEYOND ATLANTIS with Eddie Romero’s odd (sorta) undersea riff on The Treasure of the Sierra Madre featuring bug eyed Atlanteans, John Wayne’s kid, the great Sid Haig and – of course – VIC DIAZ! Along the way we talk about colonialism, Vietnam, go deep on Haig’s career and SO MUCH MORE. Check it out!

BEYOND ATLANTIS is currently available to stream on the TUBI streaming service!