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We’re getting Wild in the Streets with Franco Nero in Enzo G. Castellari’s 1974 Eurocrime revenge thriller STREET LAW! Starring Nero as an engineer who finds his safety (and masculinity) threatened by a post office robbery and decides to take the (street) law into his own hands. Badly! More nuanced than one might expect, and featuring a rocking soundtrack, there’s still plenty of action and – of course – explicit violence. Check it out!

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It’s the RETURN of YOU DON’T KNOW DICK, the world’s greatest Dick Miller-themed podcast! On this episode we’re joined by the crew from The New World Pictures Podcast to discuss the slam, bang, smash-em-up chase movie MOVING VIOLATION from 1976, starring Stephen McHattie and Kay Lenz as a couple on the run after witnessing a murder by a local sheriff. We discuss our favorite New World films, our love of automobiles and all things DICK MILLER. Check it out!

Check out The New World Pictures Podcast on Twitter @TheNewWorldPod and be sure to check out their pod and subscribe right here.

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On this pulse pounding episode of George Kennedy is my Copilot we’re looking at the techno-thriller/Death Wish knockoff THE HUMAN FACTOR from 1975 featuring George Kennedy mowing down the left-wing terrorists who murdered his family. With a score by Ennio Morricone, a supermarket massacre, some top-notch wailing from GK and – of course – Shakidu, the movie really does have it all. But is it any good? Let’s find out!

Check out Sarah Jane on Twitter @FookThis, as well as the White Slaves of Chinatown YouTube page. And check out her writing over at the Austin Chronicle right here.

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We’re getting Wild In The Streets with Umberto Lenzi’s gleefully exploitative 1974 crime thriller ALMOST HUMAN (aka THE DEATH DEALER, aka Milano odia: la polizia non può sparare). Featuring a stand-out slimy performance from Tomas Milian, the film follows small-time scumbag Giulio Sacchi as he goes on a spree of murder and mayhem throughout Milan while tough cop Walter Grandi (Henry Silva) is hot on his trail. It’s filled with chaos and bloodshed, but is it fascist? Let’s talk about it.