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We’re selling out ONCE AGAIN with Ari Aster’s controversial neo-western thriller black comedy EDDINGTON, starring Joaquin Phoenix as sheriff Joe Cross, who runs for mayor against Pedro Pascal’s Ted Garcia in a small New Mexico town during the early days of the Covid-19 pandemic. It’s sometimes uncomfortable, occasionally hilarious, and has some real bite – though some audiences didn’t know what to make of it. On this episode we go through some recent watches, discuss the Ari Aster films we’ve seen so far, and then have the DEFINITIVE conversation about EDDINGTON (with some warning before any spoiler talk). Enjoy!

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We continue our chronological look at the career of the great Paul Bartel with his feature length debut PRIVATE PARTS from 1972. Equal parts perverse and hilarious, it’s a film that is filled with twists and turns and set the blueprint for much of what was to come from the always unpredictable director. We’re also looking at Bartel’s 1969 short film NAUGHTY NURSE, which showed that Bartel’s taste for boundary pushing was something that came about very early in his career.

Check out Naughty Nurse here:

Be sure to follow Adrianna Gober on Twitter @EADxBB

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On this episode of YOU DON’T KNOW DICK we’re joined by actress/podcaster/writer/director Julia Marchese to discuss Martin Scorsese’s 1985 dark comedy AFTER HOURS! We also talk Stephen King adaptations, Scorsese’s filmography, and – of course – all things Dick Miller. Check it out!

Remember to follow Julia Marchese on Twitter @juliacmarchese!

Check out her podcast The Horror Movie Survival Guide, as well!

If you want to read more about the unusual origins of the script for After Hours, check out this fascinating article on the subject:

https://andrewhearst.com/blog/2008/05/the-scandalous-origins-of-martin-scorseses-after-hours