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Check out the full WHATEVER HAPPENED TO VIC DIAZ? archive right here

On a brand new WHATEVER HAPPENED TO VIC DIAZ?, James Iglehart is out for some samurai sword-based revenge in Cirio H. Santiago’s 1978 martial arts exploitation film DEATH FORCE (aka FIGHTING MAD)! Featuring plenty of decapitations, some problematic sword training, and – of course – our man Vic Diaz. CHECK IT OUT!

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Check out all the episodes of CINEMA SMORGASBORD SELLS OUT right here.

We’re back and we’re still SELLING OUT with a rare chat about a current blockbuster: the Denis Villeneuve-directed sequel DUNE: PART TWO. Following the continuing adventures of Paul Atreides and his pals on the sand-covered planet Arrakis (aka DUNE). We chat about the David Lynch (and aborted Alejandro Jodorowsky) version(s), Liam’s experience with the books, what does and doesn’t work, and whether we’re interested in more films/TV in the DUNE universe. CHECK IT OUT!

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Check out our Eric Roberts is the Man archive right here.

We’re doctorin’ the TARDIS on this episode of ERIC ROBERTS IS THE MAN with a first for the podcast: an audio drama box-set produced by Big Finish featuring Eric Roberts (naturally) as beloved Doctor Who villain THE MASTER! Helping us maneuver through (relative) time and dimensions in space is author and podcaster Chad Denton, who helps bridge the gap between Eric’s performance in the 1996 DOCTOR WHO TV movie and his surprising return. There’s also plenty of BIG NEWS to cover, including the recent announcement of the upcoming Eric Roberts autobiography! CHECK IT OUT!

Check out Chad’s Medici Podcast here (https://medicipodcast.com/about/) as well as his podcast Pre-Stonewall here https://shows.acast.com/pre-stonewall/about

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Check out the full We Do Our Own Stunts archive right here

After a less-then-fruitful experience in the US (filming THE BIG BRAWL and THE CANNONBALL RUN), Jackie returned to Hong Kong with a blank check from Golden Harvest and a chip on his shoulder. The result was plenty of bumps, bruises and 1982’s DRAGON LORD, which serves as a transitionary period between the old-school kung fu films of his past and the stunt-heavy films (with higher production value) that would define his work in the 1980s. In this episode of WE DO OUR OWN STUNTS we break down the good and bad of DRAGON LORD, its two cuts, and the two bravura sequences within. LISTEN!

Here’s the behind-the-scenes segment on Jackie making DRAGON LORD from the TV program YOU ASKED FOR IT