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We’re getting WILD IN THE STREETS with Lucio Fulci’s sole eurocrime effort CONTRABAND from 1980, featuring Fabio Testi as a boat smuggler who finds himself at the mercy of Marcel Bozzuffi’s Il Marsigliese with – SURPRISE – violent consequences! Featuring plenty of trademark gore, particularly in the blood-soaked climax, as well as a funky Fabio Frizzi score and Sergio Salvati photography, it’s a Fulci film through-and-through.. for better or for worse. CHECK IT OUT!

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On this very special 100th episode of Cinema Smorgasbord we kick off 2022 with the wonderful Sarah Jane to look at another George Kennedy classic on GEORGE KENNEDY IS OUR COPILOT. This time we’re looking at the mind-bending horror of Adam Simon’s BRAIN DEAD. Penned by the late Charles Beaumont, the film features both Bill Pullman AND Bill Paxton, with the former having to question his reality after an accident leaves him with potential brain damage! We also discuss the rise and fall of Breath Asure, celebrity pitchmen, face blindness and – of course – all things George Kennedy. CHECK IT OUT!


Check out Sarah Jane on Twitter @FookThis, as well as the White Slaves of Chinatown YouTube page. And check out her writing over at the Austin Chronicle right here.

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PRAISING KANE returns with one of Carol Kane’s finest performances, and a truly bizarre cult item. It’s 1978’s THE MAFU CAGE, and we guarantee you’ve never seen anything quite like it. Featuring incest, colonialism, orangutan murder and so much more, the film has gained a strong following over the past decade, and we’re here to find out why. But we’re not alone! Joining us is Cinepunx contributor and film programmer Adrianna Gober to help us unlock the secrets of The Mafu Cage!

Check our some recent interviews with Carol Kane about her career and her Academy Award nominated performance in HESTER STREET.

Here’s an interview from The New Yorker Radio House

and Here’s an interview with Vulture.

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On this episode of WILD IN THE STREETS we continue our look at the Eurocrime films of the 70s (and beyond) with Sergio Sollima’s 1973 poliziottesco film REVOLVER, starring Oliver Reed and Fabio Testi. Featuring a dynamite score from Ennio Morricone, the film has Reed’s prison warden Vito Cipriani being blackmailed into releasing a prisoner after his wife is taken hostage. Featuring a twisty plot that ends in pretty depressing fashion (our favorite!), it’s both a successful action film and a critique of oppressive governmental infrastructure. FUN! But is it any good? Let’s find out!

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On our Cinema Smorgasbord HALLOWEEN HORROR SPECIAL we’re taking a break from our many themed episodes to instead look at two well-regarded horror films from 2021! We start with the fourth in the V/H/S found footage series: V/H/S 94! Is this a return to form for the often erratic collection of shorts from acclaimed filmmakers? Then we look at the critically acclaimed CENSOR, which focuses on the mental deterioration of a film censor in 80s Britain. We also chat about some of our other recent horror favorites and our thoughts on the state of horror as we reach the end of 2021. CHECK IT OUT!

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We’re getting Wild In The Streets with Umberto Lenzi’s gleefully exploitative 1974 crime thriller ALMOST HUMAN (aka THE DEATH DEALER, aka Milano odia: la polizia non può sparare). Featuring a stand-out slimy performance from Tomas Milian, the film follows small-time scumbag Giulio Sacchi as he goes on a spree of murder and mayhem throughout Milan while tough cop Walter Grandi (Henry Silva) is hot on his trail. It’s filled with chaos and bloodshed, but is it fascist? Let’s talk about it.

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On this episode of Cinema Fantastic (a trip to the genre film festivals around the world) we’re traveling to the 2009 London Frightfest film festival in London, England to check out two ultra-violent heavy-hitters: Dario Argento’s GIALLO and The Mo Brothers’ MACABRE. The tenth anniversary of Frightfest, 2009 marked a big expansion in terms of the festival, which featured plenty of unique, international offerings. Was Argento’s Adrien Brody-starring thriller a return to form? Did The Mo Brothers (Killers, Headshot) succeed with their Indonesian spin on The Texas Chain Saw Massacre? Who reigns supreme? Let’s find out!

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It’s not only the return of ERIC ROBERTS IS THE (bad word) MAN, it’s also the return of the STALKED BY MY DOCTOR SERIES with 2021’s JUST WHAT THE DOCTOR ORDERED. A return to the heady days of the original STALKED films, this time we have Dr. Albert Beck hiding out in an abandoned house.. but not for long! We also talk at length about a newly launched Eric Roberts-related podcast that WE ARE ANGRY ABOUT, the latest Eric Roberts tweets, and SO MUCH NEWS. We’re joined on our journey by musician and podcaster Mike Paulshock, who discusses his love for the STALKED series and its lead actor: ERIC ROBERTS. Time to start listening!

Check out Mike’s band SUN GOD at https://sungodpa.bandcamp.com/, and don’t forget to check out his Whine & Cheese podcast here https://cinepunx.com/podcast-episodes/whine-cheese/

You can also follow Mike on Twitter @ThePaulShark

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On YOU DON’T KNOW DICK we look at the films and TV work of the beloved character actor Dick Miller! On this episode we’re joined by writer, producer and podcaster Scott Weinberg to discuss the legendary Roger Corman cheapie horror-comedy THE LITTLE SHOP OF HORRORS! We look at the history of the legendarily threadbare production, the various remakes and tributes (including the celebrated musical!), and – of course – the flower-chomping performance by Dick Miller! CHECK IT OUT!

Follow Scott Weinberg on Twitter @ScottEMovieNerd and check out his newest podcast OVERHATED on his Patreon right here: https://www.patreon.com/scottEweinberg

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On the PREMIERE episode of WILD IN THE STREETS: A EUROCRIME PODCAST we’re looking at the two films which kick off Roberto Curti’s essential book Italian Crime Filmography, 1968-1980: 1968’s Bandits in Milan, as well as 1968’s Bandits In Rome! The first film takes a documentary approach to a real-life incident that took place in Milan, Italy in 1967 while the second film starts John Cassavetes as a bandit with a heart of gold who is locked away while his partner goes on a violent rampage. What did we think? Listen and find out!