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Check out our Cinema Fantastica archive right here.

On this episode of CINEMA FANTASTICA were traveling to the 2014 edition of the Panic Film Festival in Kansas City, Missouri! While early in the festival’s life, this year was packed with genre films and our hosts have chosen two to BATTLE TO THE DEATH. First up is the darkly comedic Israeli thriller BIG BAD WOLVES, and then we go deep on Joe Begos’ directorial debut, the John Carpenter-influenced sci-fi horror ALMOST HUMAN. WHO REIGNS SUPREME? Listen and find out!

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Check out the full WHATEVER HAPPENED TO VIC DIAZ? archive right here

We’re back wondering WHATEVER HAPPENED TO VIC DIAZ? and this time we’re looking at one of Vic’s most memorable and outstanding roles, playing THE DEVIL in Eddie Romero’s 1971 creature feature THE BEAST OF THE YELLOW NIGHT. Diaz’s Satan has brought John Ashley’s Joseph Langdon back to life to do his evil bidding, and also every so often he turns into a strange Wolfman-esque creature who lusts for blood. HUMAN BLOOD! Vic Diaz chews scenery while Ashley chews on the many unfortunates who get in his way, while our hosts tackle with their love for monster movies, the film’s unique religious themes and SO MUCH MORE. Check it out!

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Check out the full You Don’t Know Dick archive right here

Get higher baby! On a brand new You Don’t Know Dick we’re joined by That Shelf’s Will Perkins to discuss Jonathan Kaplan’s 1975 trucker action film WHITE LINE FEVER starring Jan Michael Vincent, Slim Pickens, Kay Lenz, L.Q. Jones, and Dick Miller as the uniquely named “Birdie” Corman. The boys discuss left-leaning action films, the TRUCKER’S CODE, whether Big Trouble in Little China’s Jack Burton would join the “Freedom Convoy” and SO MUCH MORE (including the life and career of beloved character actor Dick Miller). Check it out!

Follow Will Perkins on Twitter @WilliamHPerkins and be sure to check out That Shelf and Art of the Title!

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Check out the full We Do Our Own Stunts archive right here

After a lengthy, contentious working relationship, Jackie Chan’s time with Lo Wei finally comes to an end (sort of!) with 1979’s DRAGON FIST, a film that had been sitting on the shelf since well before Jackie’s SNAKE IN THE EAGLE’S SHADOW kung-fu breakthrough. The film features a very stoic Jackie attempting to get revenge for his master’s death, which all sounds awfully standard, but the plot gets a lot more twisty as it goes, including Jackie reluctantly working for a group of bad guys before going BER-ZERK in the final ten minutes. We also chat about some of Jackie’s complications with trying to get out of his contract, and his upcoming excursion to America. CHECK IT OUT!

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Check out the full Bartel Me Something Good archive right here

On this episode of Bartel Me Something Good we’ve reached Paul Bartel’s Criterion Collected classic EATING RAOUL featuring Mary Woronov, Robert Beltran and Paul Bartel himself as Paul Bland. A darkly comedic social satire (/w cannibalism), it remains a gem in the Bartel filmography, and we’re delighted to be joined by EATING RAOUL’s editor Alan Toomayan to discuss his work on Bartel’s films, including LUST IN THE DUST and SCENES FROM THE CLASS STRUGGLE IN BEVERLY HILLS. Alan also regales us with stories of his early work with New World Pictures, the guerilla filmmaking that went into Eating Raoul’s production, and his transition to becoming an editor of film trailers and featurettes. CHECK IT OUT!

You can find plenty more about Alan Toomayan and his work over at http://www.toomayan.com/ 

Thanks to Brian Saur from the Pure Cinema Podcast for his help on this episode.

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Check out the full HOW DO YOU DO, FELLOW KIDS? archive right here

I’M A WRITER, YOU MONSTERS! On this episode of HOW DO YOU DO, FELLOW KIDS? we’re getting down with The Coen Brothers’ Cannes-dominating pitch-black comedy BARTON FINK from 1991. Starring John Turturro as a Hollywood neophyte struggling with writer’s block (and everything else), it’s filled with dynamite supporting performances and feels a bit more personal than the Coen’s work up to that time, while also being filled with wild, surreal touches. All that, and Steve Buscemi is there as well. Listen to what we think, buster. And that’s an order.

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Check out the full Wild in the Streets archive right here

On this episode of WILD IN THE STREETS we’re getting back to basics with Tomas Milian in the revenge thriller EMERGENCY SQUAD from 1974. Milian plays Tomas Ravelli, an Interpol agent who is hell-bent on tracking down the criminals who (inadvertently) murdered his wife, and is – unsurprisingly – willing to break the rules in order to do it. He’s kind of a jerk! We also chat about the career of the late Ruggero Deodato, feel conflicted about all the fascist cops in Eurocrime movies and SO MUCH MORE. Check it out!

You can watch EMERGENCY SQUAD for free (with ads) on Tubi right here: https://tubitv.com/movies/11860/emergency-squad?start=true

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Check out the Praising Kane archive right here.

On this episode of PRAISING KANE we’re once again doubling up, starting with an episode of the eighth season of LAVERNE & SHIRLEY which is without Shirley, Lenny or Squiggy.. but we do have dog murder, Charles Fleischer and not much else, except Carol Kane as a streetwise fortune teller. We follow that with the 1981 film adaptation of Richard Foreman’s avant-garde play STRONG MEDICINE, steeped in the subject matter championed by his Ontological-Hysteric Theater. Hear us struggle with material we’re woefully out of step with! All that and the latest Carol Kane news. CHECK IT OUT.

Watch 1981’s STRONG MEDICINE for free right here:

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Find the entire George Kennedy is my Copilot archive right here

LISTEN UP, MULLETHEADS! On this episode of GEORGE KENNEDY IS MY COPILOT we’re finally covering the film that nabbed George Kennedy his Oscar: it’s 1967’s COOL HAND LUKE! Featuring a slew of recognizable faces (Strother Martin! Dennis Hopper! Harry Dean Stanton! Joe Don Baker!), an unforgettable lead performance from Paul Newman and a great Lalo Schifrin score, it’s a key anti-hero film of the late 60s that helped launch the New Hollywood movement. But this episode is mostly about doing the most outrageous George Kennedy impressions possible. We also listen to George’s Oscar speech, so you know you’re in for a good time. LISTEN!

Watch George Kennedy’s Oscar speech right here:

Check out Sarah Jane on Twitter @FookThis, as well as the White Slaves of Chinatown YouTube page. And check out her writing over at the Austin Chronicle right here.

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You can listen to the entire JodoWOWsky archive right here: https://www.cinemasmorgasbord.com/the-podcasts/jodowowsky/ 

JodoWOWsky returns in 2023 with an episode devoted to the decade long comic book collaboration between Alejandro Jodorowsky and Juan Giménez tracing the family history of one of The Incal’s most notorious (and mysterious) characters: The Metabaron Saga. On this episode we discuss the ENTIRE saga, featuring nearly 500 pages of galactic myths and some of the wildest characters, battles and plot twists you’ll ever see. Along the way we discuss Jodrowsky’s NEWLY ANNOUNCED FILM, all the recent Jodorowsky-adjacent comic work, and SO MUCH MORE. Check it out, paleo-jerks!

On this episode we discuss this recent article from World of Reel discussing the announcement of Jodorowsky’s new film:

https://www.worldofreel.com/blog/2022/12/3sxsvswlmepowv1ikpsb2uz4toxkpp 

We also discuss these AI-generated images attempting to visualize what an Alejandro Jodrowsky-directed version of TRON might look like:

https://kottke.org/22/12/jodorowskys-tron

And also his version of Frasier:

https://boingboing.net/2022/12/04/jodorowskys-frasier-as-imagined-by-midjourney-ai.html

We also relied heavily on information from The Metabarons section of the Jodoverse wiki, which you can access right here:

https://jodoverse.fandom.com/wiki/The_Saga_of_the_Metabarons

Julia Marchese is a filmmaker, actor, writer, film programmer and podcaster. Julia’s first film was Out of Print, a documentary about the importance of revival cinema and 35mm to culture. The film has played all over the world in film archives, art house cinemas and universities. The 35mm print of the film is now housed at The Academy Film Archives. Her next project is a short film adaptation of Stephen King’s short story “I Know What You Need”. She is the co-host of Horror Movie Survival Guide, a weekly podcast that takes a deep dive into a different horror film each week, focusing on how to become the final girl. You can follow her on her social media platforms

Check out the George A Romero Foundation’s recently announced HORROR X @GARFHorrorX on Twitter

juliamarchese.com